本剧以光绪年间宿迁知县万立钰为原型，讲述其破漕运贪腐案、立“永禁碑”倡廉的故事。本剧通过悬疑探案与市井喜剧元素，展现廉洁家风与地域文化，以新形式解读古代廉政故事，以新语境激活传统廉政基因。

NHK 现代大特写 亚洲的眼泪 AV女优之死 ~与“扭曲性观念”的斗争~

Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

情色小说作家Cox对她正在创作的最新小说进行了深入研究。

Feature film inspired by the pranks performed by the comedy troupe The Janoskians.

Within the human struggle to live and work on a changing planet, questions of value, extraction, and adaptation echo across seemingly disparate worlds. A Common Sequence examines shifts of life and labor through a critically-endangered salamander and plant patents in the apple industry. Weaving the stories of Dominican nuns running a conservation lab, a group of fishermen attempting to live off of a depleting lake, engineers developing AI-driven harvesting machines, and an indigenous biomedical researcher resisting the commodification of human DNA, the film becomes a meditation on the shifting border between the natural and unnatural world, and the dynamics of power at play. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1269/14984

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第39名。

ETHNIC NOTIONS is Marlon Riggs' Emmy-winning documentary that takes viewers on a disturbing voyage through American history, tracing for the first time the deep-rooted stereotypes which have fueled anti-black prejudice. Through these images we can begin to understand the evolution of racial consciousness in America. Loyal Toms, carefree Sambos, faithful Mammies, grinning Coons, savage Brutes, and wide-eyed Pickaninnies roll across the screen in cartoons, feature films, popular songs, minstrel shows, advertisements, folklore, household artifacts, even children's rhymes. These dehumanizing caricatures permeated popular culture from the 1820s to the Civil Rights period and implanted themselves deep in the American psyche. Narration by Esther Rolle and commentary by respected scholars shed light on the origins and devastating consequences of this 150 yearlong parade of bigotry. ETHNIC NOTIONS situates each stereotype historically in white society's shifting needs to justify racist oppression from slavery to the present day. The insidious images exacted a devastating toll on black Americans and continue to undermine race relations. ETHNIC NOTIONS has quickly become a mainstay of university, high school, and public library collections. It is a basic audio visual text for American History, Sociology, Black Studies, Anthropology, Social Psychology, Media Studies, and any training program concerned with stereotyping and cross-cultural understanding. Approaching a complex and delicate subject with great sensitivity, ETHNIC NOTIONS equips viewers to view media and other cultural representations with a more critical eye. It's a direct challenge to those who say, "It was just a joke."

在时长约31分钟的该片中，所记录下的公共场所包括：一个郊区小火车站深夜的候车室、一个矿区附近黄昏时分的汽车站、一辆不知开往何方向的公共汽车、一个由废弃公共汽车改造成的小餐馆和一个长途汽车站的候车室（兼具台球厅、舞厅等多种功能）。 　　此外，影片还记录下了在这些公共空间里来来往往的人们某些时间段的行为：一个穿军大衣的中年男子一直在等待，终于等来一个年纪相仿的女人提着一袋沉甸甸的面粉从走下火车；一个老人在铁栏后极其耐心地拉好上衣的拉链，汽车把老人带走，却落下一个气喘吁吁的年轻女子，在她百无聊赖地等待下一辆汽车到来时，矿区的天空下响起钟声；如此，等等。

姜哲中是一个我行我素的刑警，他经常收受贿赂，私放罪犯，至于敲诈勒索，白吃白喝则是家常便饭。他受到纪律检查部门立案调查，没想到他的拍档在此时饮弹自戕，一批数目巨大的毒品不知去向。检查部门去搜查哲中的家，却一无所获，他的过分清贫倒引起上级的怀疑。一个雨夜，哲中在一个狭窄的小巷执勤时与一个穿着雨衣的神秘男人擦身而过，他照例耍起了威风想吓唬对方，不料那人也非善类，操起手中的利刀向他猛刺后迅速逃跑，在哲中脸上留下深深的伤口。哲中拣起那人掉下的猎刀，发誓要抓住他狠狠的报复……